翻訳と辞書
Words near each other
・ Elisabeth Dorothea of Saxe-Gotha-Altenburg
・ Elisabeth Duda
・ Elisabeth Eaves
・ Elisabeth Eberl
・ Elisabeth Eidenbenz
・ Elisabeth Eleonore of Brunswick-Wolfenbüttel
・ Elisabeth Elliot
・ Elisabeth Enger
・ Elisabeth Erm
・ Elisabeth Esterl
・ Elisabeth Eybers
・ Elisabeth Farnese
・ Elisabeth Findlay
・ Elisabeth Flickenschildt
・ Elisabeth Forsell
Elisabeth Forsselius
・ Elisabeth Fraser
・ Elisabeth Freeman
・ Elisabeth Freund
・ Elisabeth Frink
・ Elisabeth Frösslind
・ Elisabeth Furse
・ Elisabeth Förster-Nietzsche
・ Elisabeth Gantt
・ Elisabeth Gassner
・ Elisabeth Geertruida Wassenbergh
・ Elisabeth Gehrer
・ Elisabeth Gerle
・ Elisabeth Gilman
・ Elisabeth Gording


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Elisabeth Forsselius : ウィキペディア英語版
Elisabeth Forsselius

Gertrud Elisabeth Forsselius (Forsell), later Elisabet Haeffner and Elisabet Fahlgren, (23 January 1771 – 15 February 1850), was a Swedish opera singer and actor, married to the German-born Swedish composer Johann Christian Friedrich Haeffner, and the actor and singer Johan Jacob Fahlgren. She belongs to the circle of actors that is often talked about and mentioned in history books as the pioneer generation of Swedish actors at the Royal Dramatic Theatre.
== Biography and career==

Elisabeth Forsselius was employed at the Royal Swedish Opera in 1783, and at the Ristell Theatre in Bollhuset by Ristell in 1787, which was converted into the Royal Dramatic Theatre in 1788. She married Haeffner the same year. Forsselius was appreciatied both as a singer within opera, and as an actress within theatre. She was considered an excellent dramatic actress particularly within comedy, and she was frequently used for so called soubrette - and boy's breeches roles, where she was described as terrific, and continued to play teenagers until her last years at the stage.
She played Anna in ''Siri Brahe och Johan Gyllenstierna'' by Gustav III in 1788 and 1790 and the title role of ''Minna von Barnhelm'' by Lessing in 1793. Among her other parts were Sidonie in ''Armide'' by Gluck in the season 1786–1787, Ismene in ''Elektra'' (by Hæffner) in 1787–1788, Delia in '' Les trois sultanes'', a play by Favart in 1789–1790, Weakness in ''Alcides inträde i världen'' in 1793–1794 and Armide in ''Renaud'' (both also by Hæffner) in 1800–1801, and the marchioness in ''Griselda'' by Friedrich Halms in 1809–1810.
In 1788, Forsselius became a member in the actors board of directors of the Royal Dramatic Theatre until 1803. As a member of the board, she is, in the report of Armfelt, who observed the board meetings as a representant for the Royal Swedish Academy of Arts, described as someone who let her personal feelings towards the other members affect her votings. If this is true, she was far from the only one doing so; these sessions were reputed for and often described as chaotic and stormy.
Forsselius divorced Haeffner in 1807, and remarried the singer Jacob Johan Fahlgren (1786–1848), a student of her husband, who had been their tenant, the year after. As many of her generation of actors and singers, she retired from both the opera and theatre after the season of 1810.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Elisabeth Forsselius」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.